11/22/2023 0 Comments Barney actor jacked“After the decline of interest in rockabilly, white rock in the South had taken a back seat to country & western and soul.” “In a sense the evolution of Southern rock was a reactionary attempt to return rock ‘n’ roll to its native soil,” suggested the Texan writer Joe Nick Patoski. Black music got blacker while white southern rock went back to its first principles of melding country music with rhythm ‘n’ blues. “A lot of the people we had considered friends were suddenly calling us blue-eyed devils.”įollowing Duane Allman’s stinging slide-guitar cameos on landmark tracks by Clarence Carter and Wilson Pickett, the racial cross-pollination of the southern soul era in Alabama hotspot Muscle Shoals (namechecked in Skynyrd’s ‘Sweet Home’) came to a shuddering halt. “By the end of the decade, a lot of the results of the civil rights era had served to urbanise black music,” Walden said in my 1985 interview with him. Sweet Home Alabama doesn’t shirk the regrettable fact that Southern Rock was born partly of the deepening racial divide that opened up after the 1968 assassination – in Memphis, of all the musical places – of Martin Luther King. It was too white and it just wasn’t relevant. “Certainly the Beach Boys’ surfing stuff never would have hacked it in the South. “To the young white Southerner, black music always appealed more than white pop music,” Walden, who died in 2006, told me. Jaimoe had toured with Otis Redding, arguably the key influence on Southern Rockers from the Allmans to the Black Crowes, and it was Redding’s former manager Phil Walden who in 1969 set up the label most identified with Southern Rock – Macon’s Capricorn Records. “Those of us who have characterized as a misunderstood liberal,” wrote Mark Kemp – one of Maycock’s interviewees – in his excellent Dixie Lullaby (2004), “have done so only to placate our own irrational feelings of shame for responding to the passion in his music.”Īt least the Allman Brothers had an African-American – drummer Jai Johnny “Jaimoe” Johanson – in their ranks. Was Skynyrd’s anthem of the same name a song of defiant pride cocking a snook at Neil Young’s ‘Southern Man’ (not to mention his ‘Alabama’) or was it something much worse – a strutting defence of old Confederate values, complete with egregious tip of the Stetson to segregationist governor George Wallace? ‘Sweet Home Alabama’ was and is a stonking song but Ronnie Van Zant wanted it both ways: to be both a bourbon-chugging rock rebel and the Yankee-baiting bigot that Young was decrying. But Sweet Home Alabama pulls us back to the early ’70s peaks of the Allman Brothers and Lynyrd Skynyrd, making us reflect anew on what Southern Rock really meant. And true, some of the other “longhaired rednecks” interviewed hardly bring scintillating insight to the topic. Sure, brother Gregg Allman talks a little slow after his liver transplant. The subject is irresistible to connoisseurs of once-unfashionable strains of ’70s pop culture, and James Maycock’s Sweet Home Alabama more than does it justice. Always working some entry-level position at Krusty Burger, the grocery store or movie theater, he’s often the punchline for whatever the retail scene needs.IT WAS ONLY a matter of time before BBC4 green-lit a Friday night documentary about the sub-genre Southern Rock. 10 Squeaky-Voiced TeenĪlso known occasionally as “Pimple-Faced Teen” or Jeremy Friedman/Steve Friedman, this greasy kid - whose vocal range couldn’t be more different than Homer’s - makes for tons of great jokes. His vocal spirit brings countless other Springfieldians to life, too. That said, Castellaneta’s talent isn’t just confined to Homer. And yet, it’s Castellaneta’s timing, delivery and ability to elicit so many different feelings - all with just his voice - that inform so much of Homer’s DNA.Ĭlick right here to get the best of Cracked sent to your inbox. He’s such an iconic character, though, that it’s easy to overlook the real person behind him: Dan Castellaneta. After all, beneath a layer of clumsy, risky and thoughtless decision-making lies a heart of gold that usually figures it out and makes things right in the end. Homer Simpson’s reputation as a symbol of fatherhood will surely outlast all of us.
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